Channel Tres

Channel Tres

United States · 1 upcoming show · 4 past appearances

HouseBass

Channel Tres is Sheldon Young, a producer, DJ and rapper from Compton, California who sings and raps in a deadpan baritone over house beats - a style he calls Compton house, and which everyone else calls hip house. He broke through on Godmode with 'Controller' in 2018 and has since worked with Robyn, Disclosure, SG Lewis, Tyler, the Creator and Thundercat; his debut album Head Rush landed in 2024 and Enigma POV followed in August 2026. Live he works from a deliberately minimal setup - himself, a mic and a crew of trained dancers - and the choreography is the show, not a garnish. For a PNW room this is the rare booking that reads as both a rap gig and a house night.

Popularity

How this is measured

An absolute, national (US) measure — not a ranking against the other artists on this site. We take the strongest of three open signals: ListenBrainz listens, English Wikipedia pageviews, and the number of Wikipedia language editions that have an article. The strongest one wins, so a signal we couldn't read never drags the result down. Bucket 1 means measured and small. Unrated never means small — it means we don't have the numbers.

Listen

Top songs

No confirmed track list for Channel Tres yet — the search links above will find their catalogue in the meantime.

Upcoming shows

What listeners say

85/100

Live reviews are unusually consistent about what makes his shows work: the dancing. A DC reviewer describes a four-person dance crew whose choreography is 'dexterous, synchronized and so clearly polished', backing a performer with real stage presence who works the front of the room and talks to the crowd rather than hiding behind decks - the same review called it one of the most invigorating and thrilling dance parties the city had hosted in some time. The records are a slightly different proposition from the shows: his 2024 debut album Head Rush leans further into hip-hop convention than the club singles that made his name - even a positive review notes the shift. It is also worth knowing what the show is not: the setup is minimal by design - him, dancers, a mic - so anyone expecting festival-scale production will find it sparse.

Loved

+ highly polished choreography with a live dance crew - the dancing is the show+ magnetic stage presence and genuine crowd interaction from the front of the stage+ deep baritone delivery over house beats bridges hip-hop and dance crowds+ sets built from fan favourites that keep a room moving throughout+ a DC reviewer called it one of the most invigorating and thrilling dance parties the city had hosted in some time

Gripes

− Head Rush leans toward hip-hop convention relative to the danceable singles that made his name− the recorded output is a different, less club-focused proposition than the live show− minimal stage setup (performer, mic, dancers) reads as sparse if you want big production

Gathered 2026-08-24 (high confidence) from musicbrainz.org, wikidata.org, en.wikipedia.org, parklifedc.com, themusic.com.au, diymag.com, theweeklycoos.wordpress.com, svenluijten.com, floodmagazine.com, albumoftheyear.org, exclaim.ca, news.google.com, https://www.deezer.com search API — artist image via exact case-insensitive name match, highest fan count

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