A Hundred Drums

A Hundred Drums

United States · 1 upcoming show · 1 past appearance

BassDowntempo & Experimental

A Hundred Drums is Gabrielle Watson, a California-raised, Denver-based bass producer and DJ who brought a classical percussion training into dubstep. Her lane is the deep, dubwise, meditative end of the genre rather than the headbang end - she has said plainly that not every track needs an enormous build and drop - with reggae, psytrance and halftime drum-and-bass edges running through it. She has released through Gravitas, Cyclops, Ophelia and Deadbeats, and alongside producing she runs promotional brands pushing for diversity and inclusion in the bass scene. On a PNW calendar she is the deep, hypnotic end of the bass bookings rather than the riddim end.

Popularity

Unrated

We know exactly which artist this is, and the open sources we use carry no listening or reference numbers for them yet. That's a gap in the data, not a verdict on A Hundred Drums.

How this is measured

An absolute, national (US) measure — not a ranking against the other artists on this site. We take the strongest of three open signals: ListenBrainz listens, English Wikipedia pageviews, and the number of Wikipedia language editions that have an article. The strongest one wins, so a signal we couldn't read never drags the result down. Bucket 1 means measured and small. Unrated never means small — it means we don't have the numbers.

Listen

Top songs

  1. Bring In the Noise
  2. Out Of Time
  3. Catch My Flow
  4. Bone Dust

Upcoming shows

What listeners say SAMPLE DATA

⚠ Placeholder — not real reviews. Sample data — these are generated placeholders, not real listener reviews. A sentiment aggregator will replace this section with sourced listener feedback.

No genuine body of audience opinion was reachable for this artist. Everything found describing her live show - the phrases about high-octane sets, evocative and seductive performances, connecting heartbeats around the world - traces back to label, agency and festival press copy rather than to reviewers or attendees, and there is no aggregated concert-review consensus for her. The one substantive, non-promotional thing on record is her own stated approach in interviews: she is deliberately pushing a meditative, hypnotic style of deep dubstep to North American crowds rather than build-and-drop material. Treat this rating as placeholder sample data, not a real reading.

Gathered 2026-08-23 (medium confidence) from open.spotify.com, ahundreddrums.com, ahundreddrums.bandcamp.com, ukf.com, cultr.com, deadbeatsofficial.com, insomniac.com, gravitasrecordings.com, soundcloud.com, music.apple.com, open.spotify.com, open.spotify.com, open.spotify.com, open.spotify.com, https://www.deezer.com search API — artist image via exact case-insensitive name match, highest fan count

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